The newly-designed areas now accommodate 200 covers across the breadth of spaces. The concept seeks to create a balanced interplay of historic revelations and contemporary additions: both drawing from and interpreting the underlying Indo-Saracenic influences of Jaipur’s architectural history. Traditional crafts of Jaipur like Thikri work, bespoke casting and foundry work, furniture and stone carving have been worked upon in this new idiom—whether it was through finding new form or using them in a new manner for a new use.

The skilled artistry of local craftsmen in marble is given a graphic vocabulary for flooring, the Pavilion, dado work, benches, table tops and more. Built in handcrafted marble and brass, the contemporary expression of the Baradari-inspired Pavilion heightens the surrounding historic vocabulary and gives the place its key identity. Mild steel and brass are used for bespoke lighting and door design. Constrained budgets encouraged the re-use of furniture salvaged from the Palace alongside the new, with patterns inspired from hybrid influences to give them a fresh lease of life.

Several countries in Asia have a repertoire of historic buildings, but importantly there are countries such as India, which have a rich legacy of Living Tradition of crafts and arts that are dying as they have been unable to reinvent themselves to today’s ideas and needs. Baradari serves as a demonstration of how active engagement of these craftspersons and artisans in new design applications can bring both an exciting flavour to the project, and open up new ways of thinking for these artisans.